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Kampala Arts Trust and RVR launch Kampala Art Biennale at the Kampala Railway Station

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Kampala Arts Trust and RVR launch Kampala Art Biennale at the Kampala Railway Station
Artist Immaculate Mali during her performance at the Kampala Railway Station. The performance focuses on her experiences growing up as a disabled child and how the situation robbed her of a childhood. Immaculate uses sound collected from children’s playgrounds, a bicycle, and a splint to allude to a stolen childhood and human resilience through creation of a fiction of imagination. The splint is one of many leg supports she wore during her time at school. It depicts not only support but a symbol of pain and fragility.

• Exhibitions will take place at seven different institutions in Kampala inclusive of the Kampala Railways Station, Uganda Museum, Makerere Art Gallery, Nommo Gallery, Afriart Gallery and the National Theatre
• Exhibition to be held from September 3rd to October 2nd 2016.

RVR in partnership with Uganda Art Trust launched the Kampala Art Biennale (KAB16) at the Kampala Railways Station.

This would be the second edition of the Kampala Art Biennale organized by Kampala Arts Trust, a private initiative under the theme “Seven Hills”, conceived by Elise Atangana with the aim of promoting art, major institutions with in Kampala and the city as a whole. “Seven Hills” refers to Kampala’s historical city when the Kingdom of Buganda was built on seven hills, in this context an organic project that focuses on concepts of Mobility Studies which includes the movement of people, objects, services or digital/virtual travel and how it affects us in our day lives.

Speaking at the launch event while welcoming guests to the Kampala central station, one of the venues where the seven exhibitions are being housed, The General Manager RVR Uganda Joram Nyanzi said “We appreciate Art as a reflection of what goes on in society. Art as you know has the unique power to influence positive change, especially art of today, produced by our own artists in Uganda and as a company that is evolving, we immediately understood what Kampala Arts Trust was trying to achieve when we were approached. Their work is very commendable, a product we are proud to associate ourselves with.

Indeed when you go to the Kampala Railway Station, a lot on mobility studies around Kampala is depicted through the temporary art on display by Thomas Aquilina and Alex Lyons who focus on video, sound and architecture. Artiste Gosette Diakota Lubondo explores mobility with in an old train through her photography, emphasizing the fact that mobility is first individually experienced.

The most fragile piece of art work on display was a live presentation by Immaculate Mali a Ugandan who debuted her exhibition with a performance titled ‘Safe here’. The performance focuses on her experiences growing up as a disabled child and how the situation robbed her of a childhood. Immaculate uses sound collected from children’s playgrounds, a bicycle, and a splint to allude to a stolen childhood and human resilience through creation of a fiction of imagination. The splint is one of many leg supports she wore during her time at school. It depicts not only support but a symbol of pain and fragility.

The biennial features artworks by over 25 artists from Uganda, Botswana, India, Congo, France, Kenya, Germany, UK, South Africa, Sudan and Belgium. Daudi Karungi, the Director Kampala Art Biennale KAB16 explained “the biennale is established to recognize, and integrate African contemporary art that is being created on the periphery of mainstream information avenues. In 2014, when we last held our inaugural KLAArt 014 here at the Kampala Railway Station, it was evident that the people in Kampala are leading in the creative cultural renaissance seen through 7,000 visitors who attended the 6 exhibitions, showing works that had been displayed by 45 artists from 13 African countries.”

Kampala Art Biennale 2016 will add another goal of international exposure. This second edition intends to invite renowned international artists to exchange with local artists while working in Kampala. KAB16 will also bring together key speakers including leading artists, gallerists, art historians, curators, museum directors, critics, and collectors from across the world to discuss adverse range of topics.

The Kla Art Biennale is open to the public at all the seven locations including Kampala Railways Station, Uganda Museum, Makerere Art Gallery, Nommo Gallery, Afriart Gallery and the National Theatre from Monday to Saturday between 8:00 am and 6:30 pm. Entrance is free.

RVR General Manager Joram Nyanzi (Left) tours some of the art work displayed at the Kampala Railways Station led by Daudi Karungi Director Kampala Art Biennale (KAB16) (Right). Aesthetes can enjoy art by Thomas Aquillina & Alex Lyons from Uganda, Gosette Diakota Lubondo from DRC, Bogosi Sekhukhuni from South Africa and Immaculate Mali a Ugandan with a performance and installation titled ‘Safe here’ at the Kampala Railways Station.
RVR General Manager Joram Nyanzi (Left) tours some of the art work displayed at the Kampala Railways Station led by Daudi Karungi Director Kampala Art Biennale (KAB16) (Right). Aesthetes can enjoy art by Thomas Aquillina & Alex Lyons from Uganda, Gosette Diakota Lubondo from DRC, Bogosi Sekhukhuni from South Africa and Immaculate Mali a Ugandan with a performance and installation titled ‘Safe here’ at the Kampala Railways Station.
Director Kampala Art Biennale (KAB16) Daudi Karungi (Right) takes RVR General Manager Joram Nyanzi (Left) through a schedule during the launch of the Kampala Art Biennale at the Kampala Railway Station. The exhibiton organized by Kampala Arts Trust features artworks of over 25 artists from Uganda, Botswana, India, Congo, France, Kenya, Germany, UK, South Africa, Sudan and Belgium for a month in seven different institutions inclusive of the Kampala Railways Station, Uganda Museum, Makerere Art Gallery, Nommo Gallery, Afriart Gallery and the National Theatre.
Director Kampala Art Biennale (KAB16) Daudi Karungi (Right) takes RVR General Manager Joram Nyanzi (Left) through a schedule during the launch of the Kampala Art Biennale at the Kampala Railway Station. The exhibiton organized by Kampala Arts Trust features artworks of over 25 artists from Uganda, Botswana, India, Congo, France, Kenya, Germany, UK, South Africa, Sudan and Belgium for a month in seven different institutions inclusive of the Kampala Railways Station, Uganda Museum, Makerere Art Gallery, Nommo Gallery, Afriart Gallery and the National Theatre.
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Innocent Kawooya, NIM, is an award-winning Ugandan entrepreneur, media innovator, digital transformation leader, and the Chief Executive Officer of HiPipo. He is widely recognised for his contribution to digital innovation, financial inclusion, youth empowerment, healthcare, education, media, and technology-driven social transformation across Africa. He is a recipient of the prestigious Presidential Diamond Jubilee Medal awarded by His Excellency, the President of Uganda, in recognition of his contribution to national development, digital innovation, and financial inclusion. He is also recognised as the first Ugandan under the age of forty to receive a National Independence Medal from the President of Uganda for his outstanding contribution to digital innovation, financial inclusion, youth empowerment, and national development. Innocent Kawooya has further been recognised as FinTech CEO of the Year (Middle East & Africa) for 2024 and 2025, while HiPipo has received multiple continental recognitions, including Most Innovative Financial Inclusion Organisation in the Middle East & Africa. From his school days, Innocent Kawooya served as Head Prefect, Head Boy, Chairman of Writers and Debating Clubs, where he developed a deep passion for storytelling, journalism, public speaking, and influence. Since then, he has written and contributed to hundreds of thousands of articles, stories, opinion pieces, digital campaigns, and media publications focused on technology, finance, entrepreneurship, innovation, healthcare, entertainment, and social transformation across Africa. He is widely recognised as one of the pioneers of Africa’s digital media and social networking space, having co-led the development of HiPipo.com, probably Africa’s earliest social networking platform. Through the platform, he helped shape digital conversations and online communities across the continent at a time when social media adoption in Africa was still in its infancy. Over the last two decades, Innocent has championed major initiatives in digital financial services, healthcare innovation, renewable energy, youth empowerment, media, and creative industries. His work through initiatives such as Digital Impact Awards Africa (DIAA), Include Everyone, Women in FinTech, My Doctor, Solar M7, and HiPipo University continues to influence and empower millions of people across Africa and beyond.